Reader's Encyclopedia

Ibsen, Henrik Johan (1828 - 1906)

Norwegian poet and playwright. The son of a middle - class family that suffered severe financial reverses when he was a boy, Ibsen was apprenticed to a druggist in his teens, began to study medicine, but soon found his way into the theatre. In 1851 he was appointed manager and official playwright of the new National Theatre at Bergen, for which he wrote four plays based on Norwegian folklore and history, notably Lady Inger of Ostrat (1855), dealing with the liberation of medieval Norway. He left the Bergen theatre for the post of manager of the Norwegian Theatre at Christiania (now Oslo), remaining there until the theatre failed in 1864. To this period belong The Vikings of Helgoland (1858) and The Pretenders (1864), historical dramas, and Love 's Comedy (1862), a satire. With the aid of a traveling scholarship, Ibsen began a period of self - imposed exile from his homeland, living until 1891 in various cities of the Continent, primarily Rome, Munich, and Dresden. In 1891 he returned to Christiania, where he lived until his death in 1906.

Ibsen's first two major plays, both in verse, were the symbolic tragedy Brand (1866) and the mock - heroic fantasy Peer Gynt. The League of Youth (1869), a political satire, was his first modern prose drama. It was followed by Emperor and Galilean (1873), a historical play in two parts on Julian the Apostate. Pillars of Society (1877) deals with the shady acts of a wealthy and hypocritical businessman. A Doll's House, a social drama on marriage, was alternately vilified and praised for its sympathy with women's rights shown when Nora Helmer slammed the door on her doll' s house and her "duties" and went out in the world to learn how to be a human being. Ghosts touched on the forbidden subject of venereal disease and attacked social conventions and duty as destroyers of life and happiness. In An Enemy of the People (1882) Ibsen contrasted the enlightened and persecuted minority with the ignorant, powerful majority; Dr. Stockman is voted an "enemy of the people" because he insists that the town's famous and prosperous Baths are dangerously polluted and must be shut down for expensive repairs. The play was followed by the poetic and symbolic drama The Wild Duck; Rosmersholm, another play on the problems of idealism; and The Lady from the Sea (1888), a play with supernatural overtones and a happy ending. Hedda Gabler, one of Ibsen's greatest plays, is a striking study of a modern woman. The Master Builder deals symbolically with the plight of the artist. Little Eyolf (1894) concerns parental responsibility. Ibsen's last two works, the realistic John Gabriel, Borkman and the highly symbolic When We Dead Awaken, both deal with men who are dead spiritually because they have sacrificed love.

Called the father of modern drama, Ibsen discarded the Scribean formula for the "well - made play" that had ruled the 19th-century theatre. He brought the problems and ideas of the day onto his stage, emphasized character rather than ingenious plots, and created realistic plays of psychological conflict. Throughout all his works, the social dramas as well as the symbolic plays, run the twin themes that the individual, not the group, is of paramount importance, and that the denial of love is the one unforgivable sin, tantamount to a denial of life.

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